备注：已完结
类型：科幻片
主演：克里斯·海姆斯沃斯 汤姆·希德勒斯顿 凯特·布兰切特 伊德里斯·艾尔巴
导演：塔伊加·维迪提
语言：英语
年代：未知
简介：在“索科维亚战役”两年后，雷神索尔（克里斯·海姆斯沃斯ChrisHemsworth饰）识破了洛基（汤姆·希德勒斯顿TomHiddleston饰）的伪装，辗转找到了被放逐到地球的奥丁（安东尼·霍普金斯AnthonyHopkins饰大片免费播放在线观看视频。然而垂死的奥丁却告知两个儿子，“诸神的黄昏”已经开始，曾遭到奥丁封禁的死亡女神海拉（凯特·布兰切特CateBlanchett饰）即将重返阿斯加德。与海拉的初次对决中，索尔失去了雷神之锤，他和洛基也被打落至混乱不堪的萨卡星。在萨卡的决斗场上，索尔重逢失踪许久的绿巨人，也见到了曾从海拉魔爪下逃得一生的女武神。历经千辛万苦，索尔和战友们重返阴云密布的阿斯加德，去正视这注定要到来的“诸神的黄昏”……
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类型：动作片
导演：比尔·杜克
语言：英语
年代：未知
简介： Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop莲花楼电视剧免费观看完整 Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
